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A Thousand Clouds of Peace | 
| Director: Julian Hernandez
Actors: Salvador Hernandez, Rosa-maria Gomez, Pilar Ruiz, Juan Torres, Juan Carlos Ortuno
Studio: Strand Releasing
Category: DVD
List Price: $14.99
Buy New: $13.49
You Save: $1.50 (10%)
New (5) Used (6) from $7.50
Rating:  4 reviews
Sales Rank: 79878
Format: Closed-captioned, Color, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Subtitled), Spanish (Original Language)
Rating: Unrated
Region: 1
Aspect Ratio: 1.33:1
Number Of Discs: 1
Running Time: 80 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
UPC: 712267231621
EAN: 7122672316210
ASIN: B0002VYOYK
Theatrical Release Date: 2003
Release Date: September 28, 2004
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours
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| Editorial Reviews:
Description
Gerardo, a gay teenager, roams the streets of Mexico City in search of someone able to reveal the secret hidden between the lines of a goodbye letter from his ex-lover
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| Customer Reviews:
 The Anguish of Lost Love June 9, 2006
Grady Harp (Los Angeles, CA United States)
2 out of 2 found this review helpful
'Mil nubes de paz cercan el cielo, amor, jamas acabaras de ser amor', the Spanish title (extracted from a poem by Pasolini) of this little film from Mexico, is translated for the English language audience as 'A Thousand Clouds of Peace'. Writer/director Julian Hernandez seems to emulate Pasolini's films but has yet to reach the subtle artistry of the Italian master's genre. The film is shot in black and white, uses very little dialogue, and stresses the use of the camera (often at odds with the flow of the storyline) in presenting what appears to be a reflection on the pain of losing love.
Gerardo (Juan Carlos Ortuno) is a 17-year old lad who has apparently just been jilted by his lover Bruno (Juan Carlos Torres) who ended the only affair of Gerardo's life with a letter that plunges Gerardo into despair. Gerardo walks the streets of Mexico City, looking for signs of his lost love, pining away on a bridge, pausing to find the soundtrack recording of an old shared film, attempting unsuccessfully to kindle romance with the occasional hustler and at times meeting with physical abuse. When he is not wandering in his sadness he stays in his room yearning for what is lost and confining his needs to his solo physical dreams. He encounters old friends, both male and female, but there is no real antidote for the loss he is experiencing. And like so many tragic love stories, this one has no happy ending.
Hernandez gives evidence of a potentially potent filmmaker: certainly his subject matter and his frankness of showing frontal nudity and some frankness of contact demonstrate that he is a brave writer and director. Juan Carlos Ortuna is an inexperienced actor, but with Hernandez' guidance he manages to make us feel his plight, trust his genuine grief, and in general make us hope he finds resolution. And to accomplish that with almost no dialogue, relying only on facial and physical shots, shows promise. In Spanish with English subtitles. Grady Harp, June 06
arty but sometimes compelling film May 23, 2005
Roland E. Zwick (Valencia, Ca USA)
"A Thousand Clouds of Peace" is a low budget Mexican oddity, filmed in grainy black-and-white, that has the look and feel of an "art film" stamped all over it. It is a largely nonverbal tale of a 17-year old named Gerardo who, having just been dumped by his boyfriend, now spends his days and nights wandering around the city in a desultory daze, trying to come to terms with his loneliness and despair.
"A Thousand Clouds of Peace" is definitely an acquired taste, but a person who opens himself up to the beauty of its images and the pervasiveness of its mood may find himself intrigued - if not exactly mesmerized - by the experience. The film consists mainly of Gerardo staring soulfully either into the distance or directly into the camera, but Juan Carlos Ortuno creates such a brooding presence that we actually find ourselves touched by the universality of his character's plight. By providing little in the way of drama, dialogue and character interaction, writer/director Julian Hernandez gives the film the simplified form of a parable, turning it into a study of heartbreak and unrequited love, but one stripped of all the usual distractions and clutter.
Dreamlike in its imagery and pacing, "A Thousand Clouds of Peace" will remind you of any number of European art films from the 1960's. Take that as either a recommendation or a warning, depending on your own personal taste.
 Black and white philosophic movie December 2, 2004
Yevgen Yasynskyy (Alberta Canada)
0 out of 1 found this review helpful
To be absolutely truthfull - I didn't get this movie. This movie has lots of simbolism. I actually forsed myself to watch to the end hoping that it will become better. I can see some ideas here but defenetly it is not for intertaning.
A thousand peaceful naps September 13, 2004
Bil Antoniou (Agincourt, Ontario Canada)
6 out of 9 found this review helpful
Gerardo, a high school dropout, wanders around Mexico City mooning over his ex-lover Bruno, the one happiness he seems to have ever had in life until Bruno abandoned him. Having run away from home and without a steady job, Gerardo goes in search of his lost love and instead finds casual sex encounters and a random love letter sifted from the trash that he decides was written for him by his ex-boyfriend. He then sees old school friends, visits his mother, masturbates a few times, and even gets beat up by a tough cholo he thought was an appropriate sex partner, all with very little dialogue and much meandering in between. Shot in high-contrast black and white, the film is slow and sometimes quite pretentious, focusing on long, silent takes that allow you to soak in a melancholy atmosphere that isn't quite rich enough to justify the pacing. A more appropriate title would have been A Thousand Hours Of Peace. It's nice to see people paying tribute to the likes of Antonioni, but you should make sure you have the story and characters to back it up before you commit to the stylistic choices involved. It isn't a terrible movie, just not a particularly interesting one: it's the cinematic equivalent of reading metaphysical poetry, which is admirably arty and very intellectual, but why the hell would I want to sit around and read poetry? Even the most devoted art film lovers will have their patience challenged by this one.
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