Piotr Anderszewski Plays the Diabelli Variations | 
| Directors: Bruno Monsaingeon, Bruno Mansaingeon
Actor: Piotr Anderszewski
Studio: EMI Classics
Category: DVD
List Price: $24.98
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Rating:  7 reviews
Sales Rank: 32628
Format: Classical, Color, Dvd-video, Ntsc
Languages: English (Original Language), French (Original Language)
Rating: NR (Not Rated)
Region: 0
Aspect Ratio: 1.33:1
Number Of Discs: 1
Running Time: 86 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: 99467
UPC: 724359946795
EAN: 0724359946795
ASIN: B00028HBPM
Theatrical Release Date: 2000
Release Date: June 15, 2004
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| Customer Reviews: Read 2 more reviews...
 A good introduction to the Diabelli Variations, especially for people who are not familiar with the work July 23, 2008
Hercules Grytpype-Thynne (Toronto)
0 out of 1 found this review helpful
This is a good video if you are new to Beethoven's magnificent Diabelli Variations and want about 20 minutes of background information and commentary by the pianist, followed by about 55 minutes of a performance of the complete work. The visuals of a performance may be especially worth having, since live performances of this work are infrequent. For people already familiar with the work, the commentary, while informed and enthusiastic, may seem less than revelatory.
 A Gem September 17, 2006
I. Martinez-Ybor (Miami, FL USA)
2 out of 2 found this review helpful
This is an extract of an email I sent a friend when this item was first issued on VHS:
"Have you seen or listened the video of Piotr Andrezewski doing the Diabelli? It's quite good..... and the video (dir. by Bruno Monsaingeon and distributed by VAI) gives him the opportunity to introduce and illustrate the music before his uninterrupted, captivating performance of the piece. There is a very clever spot where, to suggest connections between the Diabelli and other late Beethoven, Piotr begins to play a contrapuntal passage from the Missa Solemnis on the piano ..... beautifully transcribed.... (I bet some more of it could be structured as a piano transcription, akin to Lizst's views on the symphonies..) Imperceptibly at first, the orchestra/chorus parts gradually come in on the appropriate piano lines, with the audio mix first emphasizing the piano and finally allowing the piano to be absorbed by the glorious, fully realized score ..... It's a gem...... and speaks volumes on the quality of this video.
Andrezewski's introduction to the piece is intelligent, keen and accessible. He is most charming and articulate, whether in English or French, in and out of both, properly subtitled for English only speakers. The performance of the Diabelli is masterful....much thought and study have obviously gone into it, yet passion, poetry and wit are not compromised. The Diabelli is a difficult piece to put accross. Piotr totally succeeds. Picture and sound are quite fine. Get it."
Now, several years later, I got the DVD, and, have no reason to change a word I wrote above, except to add that all the expected gains of the DVD medium are realized.
 Not sure what to make of this January 26, 2006
James Lin (Los Angeles, CA)
3 out of 7 found this review helpful
It's nice to have a DVD of Beethoven's late works
on piano on this CD. Unfortunately Piotr playing
leave something to be desired. Maybe it's just too
relaxed, and somehow lacks the intensity and urgency
which characterized much of B's late works. Also
there seems to be too much use of pedal.
The diabelli varations is very rhythimically complex
and I don't think he executed it too well.
A Worthwile DVD October 15, 2005
BLee (HK)
1 out of 3 found this review helpful
Quite right, Piotr's tone is "brittle, bright, strident... pains were taken to re-tune it and fix the gradations of eveness/uneven-ness in the timbre..." At any rate, one is not sure if his piano is really singing, however unmuscial the original theme might have been. And that is inspite of the fact that he was obviously singing/humming when he plodded along just like what Glenn Gould was doing when playing Bach.
Coming to Beethoven, Schnabel's touch is marvelous (and so his articulations-- but not his fluency). The tide may well have changed. Kempff said he didn't like and any percussive sound, but one wonders if he is fully immune of that. Gulda took things further. (According to Martha, that is part of the reason why some audience don't take too much delight on him: because of the sound he produced.) Nowadays, many pianists can't play any legato properly without relying on the pedal!!
Having said that, from his playing one can tell Piotr's musical visions are so clear and his playing is sensitive enough and these alone make this DVD worthwhile.
like he is not there August 20, 2005
scarecrow (Chicago, Illinois United States)
5 out of 5 found this review helpful
Seeing the performance of the Variations/Transformations here on Diabelli's quaint little naive tune that Beethoven turned,transformed,transmogrified into a great piece of art is an astonishment, greater astonishment still, well creating art is in the performance/interpretation of it.
Prior to the uninterrupted performance Anderszewski speaks well of this work in truly basic commonplace ideas,but excitement is a pre-requisite on this "voyage" as he says, that it is a 'transformation', the subtitle of the music, "these are not variations" he says "but transformations".A word I liked that he used was "tortured", it shows a perverse side to the great Master Signifier, that darkness is there someplace, our job is to discover it, and Anderszewski I don't think does, he seems to float above the work, the playing doesn't seem to come from a deep place,perhaps modernity has done this to what is very old music, as Hegel said someplace, anything that cannot be understood today, ceases to exist, and we can never know what Beethoven thought,what's the context of the work, well that it speaks forever? even if we enter this "phanthom" world that music transports one across borders conceptual boundaries and time. Anderszewski certainly also makes this piece of art his own, he has a third person like presence in his playing,there doesn't seem to be a "voice" inside directing the proceeedings, and perhaps this is not always the best approach; like he is really not even there, there is less a dimension of conviction,and in Beethoven that is difficult to eradicate.For all Beethoven represented was conviction of purpose to art,to music to the "IDEA" working it through, the state of "Becoming" I think Anderszewski likes the more "floating" schwebend", moments of this set, flying away. His tone is brittle,bright, strident and this at times could have been the piano timbre itself, where pains were takened to re-tune it and fix the gradations of eveness/uneven-ness in the timbre, "like taming a beast" said one technician. But there is a dimension of disquiet in the playing here, it is not the music, for I've heard Pollini,Rzewski,Brendel and Kempf play these "transformations".I think overall Anderszewski's playing lacks some part not all of the vision the piece is capable of suggesting, that's not his(Piotr's) fault, for such a large piece encompassing music, but something was lacking, obviously nothing technical,but imparting something "else" to the music not previously heard. When moments of power are required for example it seems to be only in the brightness of sound, not in gesture, for the gestures seem to be always the same.Then again balance is the magical key, for too much overbearing arrogant-ness doesn't work either.
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